Oct 262016

ghost-story-final-bI’m in a little bit of a lull, as far as the work load goes.  I’m sure it won’t last long, but there are no immediate, pressing deadlines overhead at the moment.  The Burning Land is out… Chucklers – Book 1 is with the publisher… Year 12 is with the editor… and there’s no one depending on me to get anything done with my writing at the moment.

It’s an odd feeling.  Sure, I’m still working on End Point Pangaea, and there’s a certain amount of urgency to get it done, but it’s not like things have been for the last several weeks, where there are people waiting on me to get something done before the titles can be released.  For once, no one is waiting on me.

Of course, that will change as soon as Severed sends me the final (or what I hope will be the final) .mobi file for CB1, or when I get back editorial notes on Y12.  Hopefully, the CB1 file will be problem free, and can then be released.  And the edits for Y12 will likely take a week or two, but for now, it looks like the main project is going to be EPP.

There’s a certain amount of relief in the knowledge that it’s not all waiting on me, at the moment.   Cool

So, what else is going on?  Hmmm…

Oh!  My first horror short story, Ghost Story, is free for the next five days, (though at a bit over 15,000 words, it’s technically it’s a novelette, not a short story.)  According to the Hugo and Nebula awards:

  • … a “short story” is 7,500 words or less
  • … a “novelette” is 7,501 to 17,500 words
  • … a “novella” is 17,501 t0 40,000 words  AND
  • … a “novel” is 40,001 words or more

Yeah, aren’t you thrilled? Wink

Now, hang on while I grab a copy of the cover to insert into this post……

Okay, I’m back.  Now, where was I?  Oh yeah, Ghost Story is free.  I figured it would be a good Halloween read, so if any of you are looking for a something to give you a few chills for the holiday, grab a free copy.  And if you’re so inclined, leave a review.  Just be aware that it’s not like most of my other published titles to date.  After all, it’s HORROR!   Devil 

And now for something completely different… I got a nice email out of the blue last week, from one of the honchos at Telemachus, the company that published my first novel, Half Past Midnight.  He was writing to let me know that, though the company had published the novel a few years back, he had recently re-read it for pleasure, rather than work, and said that he had greatly enjoyed it.  I can’t tell you how much a kind message like that means to a struggling author.  It’s a really nice shot in the arm.

But that’s it for now.  I’m going to keep this post short, and get back to work on EPP.  Because, despite what I said about not being rushed at the moment, once those edits come back to me, I’ll once more be working under pressure.  And the more I can get done on the novel before that happens, the less stress I’ll have to deal with then.

So, stay safe everyone.  I’ll talk to you next time.  Bye

Oct 202016

081215_1754_WW8Publishi1.jpgIt’s been a few weeks since I posted here.  Last you heard, I had just published  the short story, The Burning Land. Since then, I’ve been working like a fiend on my next two releases, Chucklers – Book 1, and Year 12, both of which are very close to being published.

CB1 – I have to admit to a bit of panic when Severed sent me the CB1 ebook file for approval.  See, I had requested a copy of the formatted .mobi file with the cover, table of contents, front matter, back matter, etc.  Basically, I wanted to see exactly what it was going to look like when a reader loaded it onto their Kindle.  I’m one of those readers who reads my Kindle with the nighttime mode on.  I find it easier on  my eyes.

If you don’t already know, night mode is the setting on most Kindles wherein you can invert the standard setting of black text on a white background, to white text on a black background.  There is even a sepia setting for those who prefer black text, but find the white background to tiring on the eyes.  However, I’ve run into documents that have formatting issues that only become visible in night mode.  Things like a bad tag on the text color that makes it black, even when the color of the background changes.  Yeah, try reading black text on a black background sometime.  See how well that works for you.  Dazed

Another common problem is when certain parts of the work refuse to accept the night setting. You’re reading along, relaxing with your low light, white text/black background setting, when WHAM!  You click to the next page and there is a section that has black or gray text that is “highlighted” with a bright, white background, like in the picture above.

I’ve dealt with those, and other issues, either with my own titles, or in other books I’ve read.  As a result, I’m a little cautious.  I like to make sure my titles are as problem free as I can make them.  So when I opened the file they sent me, only to find no cover, no TOC, no front or back matter at all, and more than two dozen formatting problems, I have to admit, I began to panic.  I contacted the fine folks at Severed with a list of the issues and got a puzzled reply.  They weren’t having the same problems, even after testing on multiple devices.  They sent another copy of the file, and when I opened it, lo and behold, the cover, front matter, back matter… everything that had freaked me out when I found it missing in the first file, was there.  There were four minor problems, one of which was an error I had made in the original manuscript, that I didn’t catch until going over it again for this pass.

I have no idea what happened, but can only assume that the first file was somehow corrupted in transmission.  Whatever it was, Severed responded quickly, and I’m now confident that CB1 is going to come out as a fine product.  Better yet, it’s close enough to being ready, that I think it will probably be out pretty quickly.  So again, if you haven’t signed up for my new release mailing list, please consider doing so here.  I always make my first announcements and cover reveals there, before anyone else gets to see them.


Y12 Year 12 is off to Red Adept Editing.  I’ve used RAE for editing almost everything I’ve self-pubbed, and they’ve never disappointed.  They’re the people I always recommend whenever anyone asks for a good editor.  Since this is the beginning of the editing process, I know I probably have another month or so before Y12 is ready to publish, but believe me, I’m going to keep you all up to date as it winds its way through the process.  Besides, I still need to do a blurb, dedication, acknowledgements, and all the other finishing touches that go on a manuscript before it’s published, not to mention the cover.

And speaking of covers… I had a short conversation with Glendon at Streetlight Graphics that leads me to believe they’re already working on cover design for it.  To be perfectly honest, when they contacted me, I was so busy, that I don’t even fully recall the conversation.  But I do remember answering some of the basic questions they always ask before putting a cover together.  By the way, they’re another company I can recommend with the utmost confidence.  They do great covers and formatting if you’re in the market.

So, Y12 is getting close to publication, too.  I feel pretty confident that it will be out before the end of the year.


Other projects –

EPPEnd Point Pangaea is back on top as my priority WIP.  I hope to have the first draft done by the end of the year.

TBLThe Burning Land – But wait!  That one is already published, isn’t it?  Well, yes.  But I’m going to use it to try my hand at producing an audiobook.  I’ve already got a few titles out on Audible, but I’ve never taken the time to actually record one, myself.  But TBL, as a short story, is short enough that I hope to learn that process, and so open another income stream.

After those?  Well, I have several titles I plan on doing.  I just don’t know which ones will top the list.  I need to do Chucklers – Book 2, End Point Pangaea 2, the second Amber Payne book, or any one of several other projects.

But for now, I need to go fix dinner.  Sausage-stuffed portobello caps and salad.  Yum!   Big Smile  So stay safe, everyone.  I’ll talk to you next time.  Bye


Oct 052016

tblcover02Those of you who are on my mailing list got a sneak peek at The Burning Land on Monday, the day before it published.  Last night (Tuesday), I got the email from Amazon that it had gone live.  I was out at the time, so when I got home, I checked it online and was initially tickled to see that it was true.

I say initially, because it didn’t take long for me to discover that there was a minor problem with the “Look Inside” sample.  When you click the link (above the cover on the Amazon page), the sample you get ends at the Dedication page.  It turns out that this is evidently common when publishing short stories on Amazon, and has to do with the fact that Amazon normally defaults to a “first 10%” setting on their end.  When looking inside a novel, the first 10% usually gets you well past the forward matter (the title page, copyright material, table of contents, and all the other little requirements at the beginning of a book).  But with a short story?  Not so much.

The good news?  Because it happens so often, it was simple to find the solution.  All I had to do was contact Amazon’s KDP tech support and, using the proper online form, give them the specifics of the problem, the ASIN of the title, and ask them to override the default, setting it to 20% instead.


The bad news?   The requested change won’t take effect for three to seven days.  That means that during the first several days that it’s live, sales will likely be hampered by the fact that anyone going to check it out, won’t be able to see a sample before they decide to buy it.   IDK ww58

However, word of mouth evidently has an effect, too, because I was pleasantly surprised this morning when a friend let me know that TBL is climbing the charts, despite the glitch.  As 11AM this morning, it is #18 in Kindle Short Reads (Science Fiction & Fantasy), #106 in Kindle Short Reads (Literature & Fiction), and #287 in Kindle eBooks (Hard Science Fiction).

Funny thing is, I never registered it in the Kindle Short Reads category.  I can only assume that’s an automatic thing with Amazon, based on the length of the work.  And I know a lot of this quick rise in the rankings is based on the fact that it’s newly published, and the ranking will likely start dropping pretty quickly.  But it’s still pretty awesome to see.   Grin

And who knows? Maybe it will get another boost once they get the 10% / 20% glitch fixed.  That would be great!

So, enough about TBL.  In other news, I’m beginning to get feedback from some of my Year 12 beta readers, so it’s looking good for getting the notes in time to incorporate them before sending the manuscript off to the editor.

And as soon as it’s off, I’ll be able to get back to concentrating on End Point Pangaea.  Looking at my calendar, it looks like I should have three new titles out before the end of the year (TBL, Y12, and Chucklers), and hopefully another one (EPP) in the first quarter of 2017.  Of course, Chucklers and EPP are a little trickier, since they’re part of a collaboration with the publisher.  That makes it a little more difficult for us to coordinate with one another, so things move a bit slower, but I think Chucklers is in the last stages of production.

And I’m at the point where I have to start thinking about what I need to do next (after EPP).  There are a lot of projects that need to be done.  The second book in the Chucklers series, second book in the Pangaea series, second book in the Amber Payne series, I have a couple of short stories (possibly novellas) set in the Half Past Midnight world.  Hmmm…. and now that I think about it, one of them is probably about halfway done already. Yeah, I think it’s time to finish Crazy Larry.  Then, maybe the next Chucklers novel.  I don’t know… maybe I’m getting ahead of myself.

For now, it’s time to get back to work on the Y12 edits.  So take care, stay safe, and I’ll talk to you next time!  Bye

Sep 212016

ww57How’s that for a post title?  Beginnings and Endings… sounds like I’m talking about writing, doesn’t it?

Well, not exactly.  At least, not the way you’re probably thinking.  I’m talking about writing-related activities, but not the actual act of writing.  (Yeah, that clears things up, doesn’t it?)

Okay, I’ll start with the “beginnings” part.  I’m going to begin a new habit.  Or rather, I’m going to resume an old habit that I swore off back in 2011.  I’m talking about reviewing other author’s works.  For those of you who don’t know, I haven’t reviewed a book in five years.  It’s the result of my having critiqued some fellow author’s books as peer critiques, but posting them as book reviews.

For those who don’t know the difference, a peer critique is a very blunt, and usually critical, synopsis of weak points that one finds in a story, whether they be spelling, grammar, plot points, characterization, or whatever else.  They are often (or they used to be) exchanged between writers during the development of a story, during critique gatherings or writers’ group meetings.  I used to be a member of several such groups, both online and in real life, and got used to that style of criticism.  It was a valued tool that we used to hone our craft.

However, they were NOT presented to the general public, and certainly not as a review after publication.  No, a book review is another animal altogether.  Think of it like this… a tough critique is the doctor warning you that there may be some complications with your upcoming procedure.  A bad review is someone telling you that your newborn looks like a monkey, and smells like it’s been flinging its own poo.   Foot-In-Mouth

I made the mistake of posting some reviews that were more critique than review, and in doing so, ended up insulting some people who didn’t deserve it.  I was a rookie in the business, and it was a rookie mistake.

Of course, on the opposite end of the spectrum, there are also those who view authors giving favorable reviews to other author’s works as cow-towing in an attempt to curry favor with one another, or simply trading good reviews in order to boost sales.  Either way, the reviewing author was sometimes caught in a no-win situation.  So, rather than worry about what I should and shouldn’t say, I simply stopped reviewing books completely.  As a matter of fact, the last review I did was a review of Fiends, a collection of stories by Paul Cooley.  I wrote that review five years ago, in July of 2011.

But lately, I’ve come to realize that I’m short-changing some of my fellow writers. Some of their works really deserve to get some attention.  Some of their work is really good.  For instance, there’s a book I’m reading right now, that really deserves a good review.  And in thinking back, this same author wrote another book that I read a few years ago, and that book was also really good.  He deserves to know it.

I read quite a bit, and most of it is either indie published, or one of a few select traditionally published authors.  Why?  Back in the day, I could spend hours at a time in bookstores, exploring various books, thumbing through them to see what looked interesting.  I would stack four or five at a time, often more than that, and buy them because they looked like they might be worth the time investment.  Of course, the books were four or five dollars at that time.

At today’s prices, I can’t afford to just buy any trad-pub book that looks like it might be interesting. If I don’t already know the author is fantastic, and writes stories I’ll like, I can’t afford to take the chance.  For that matter, there are some authors who I know are fantastic, and I still can’t afford to buy their works unless I find them in a used bookstore.  Jim Butcher is a prime example.  I really like his Dresden books.  Unfortunately, I can’t afford them.  The Big 5 publishing houses have priced themselves out of my wallet’s reach.

But good indie authors who cut out the middleman (because that’s what the Big 5 have become), are selling books at prices I can afford.  Many have discovered that putting a book out for free is a good way to get their foot in the door, introducing their work to new buyers, much like the stereotypical drug pusher who lets you have the first sample for free.   Wink    Now admittedly, some indies are pretty dreadful.  But many others are good… every bit as good as the mid-list authors that are traditionally pubbed.  Better yet, there are some who are every bit as good as some of the best Big 5 stuff that’s out there, and I’m coming to realize that they deserve to be recognized.

So I’m going to start reviewing some of the better books I’m reading.  I may even go back and review some of the books I’ve read in the past, if they stick out in my mind… books that have made such an impression that I want to let the world know how much I like them.

And that’s the “beginnings” part.

As for the “endings”, that’s a real bit of good news.  Things have fallen into place for Year 12, and I hope to be finished with the first draft within the week.  I have several beta readers lined up, am on the schedule for my cover designer and formatter, and I happened to call at just the right time for my editor of choice.  It turns out that they had just had a cancellation, and I was able to fill that slot.  Good news for me, though my beta readers might not agree.  It means that, while I thought I would be able to give them a month to do the beta read, it now turns out that it will be more like two and a half weeks.   Struggle  But that’s the way of things in this biz.  I’d rather get it out sooner than later.

I also got word from the publisher for Chucklers.  It seems there was a misunderstanding on the editing.  They didn’t realize I had already turned in the last round of edits a month ago, and thought they were still waiting on me.  That’s both good news and bad.  It’s good because it means the book should now be in the final stages of being published.  It’s bad because we lost a month, and it might have already been out, if not for that lost time.

Like I said though, that’s the way of things.  I think we’ve got everything straightened out now, and it actually looks like I’ll have three titles out before the end of the year now.  I’ve got Chucklers (the apocalyptic horror novel being published by Severed Press), Year 12 (sequel to Half Past Midnight), and The Burning Land (the short story previously published in the “Explorers: Beyond the Horizon” anthology).

So here’s my little plug… if you haven’t already signed up for my newsletter, please consider doing so now. It’s the easiest way for me to keep people informed about when I have new titles coming out.  I’ll never give your contact information away or sell it, and I ONLY send out a news blast when I have a new title coming out.

And that’s it. I still have a lot of writing to do, so stay safe, and I’ll talk to you next time.  Bye




Sep 142016

ww56Just a short post today.  I have a lot of irons in the fire, and all of them need tending.

I just found out today that my oldest granddaughter won her classroom spelling bee, yesterday.  Yay!  Smile  The word was “concrete”, and I’m sorta tickled.  Who knows?  Maybe she’ll be a writer some day.  LOL.

On the writing front, I’m juggling two first drafts, and waiting for word from the publisher on Chucklers – Book 1.  Until recently, I’ve been pushing mainly on End Point Pangaea, and pretty much ignoring Year 12.  But considering how long it seems to take going through a publisher, I’ve decided to begin concentrating more on Year 12.  Money’s getting too tight, and I’ve got to do something to get an income stream going.  I’ve thought about my options, and since Y12 is going to be self-pubbed, it will take less time to get it edited, published, and start earning revenue.

So that’s taking most of my time now.  I know I’ll be jumping back and forth at times between Y12 and EPP, but Y12 will have to be my main project for a while.

In addition, watch for a new short story out in the near future.  In 2012, I had a short story published in an anthology called Explorers: Beyond the Horizon.  That story was The Burning Land, and it was pretty well received. The rights to the story reverted back to me last year, and I’ve been toying with the idea of self-publishing it since that time.

Of course, the catch to self publishing is the fact that you have to pay for editing, formatting, and cover art on your own, then hope you make enough in sales to earn that investment back.  Editing is usually the biggest cost, but this one was already edited before it went into the anthology.  The second biggest cost is usually cover design.  And in order to publish The Burning Land, I would have to invest money in a cover for it.  And since it’s a short story, I wouldn’t feel right charging more than Amazon’s 99¢ minimum price.

Now, if you aren’t an author, you may not know this, but Amazon slants their percentages to encourage authors to charge $2.99 or more.  The way it works is that an author charging $2.99 or more, gets to keep 70% of the money earned on the story.  Anything below the $2.99 price point only earns 35%.  AND they don’t allow you to charge less than 99¢ at all (with a very few, tricky exceptions).

So if I were to get a decent cover for this short story, it would likely cost me a couple of hundred dollars.  Let’s call it $150, for now, just for giggles.  If I charge the minimum of 99¢ for the story, for each copy sold, I get back 34¢.  At that rate, I would have to sell nearly 450 copies just to break even, and since short stories by unknown authors don’t sell well to begin with, that would take more time than it’s really worth.

But last month I won a contest.  The prize was a free cover by author and cover artist Denise Lhamon.  Woohoo!  And that means that I can afford to publish TBL after all.  So while it won’t make me rich, by any means, it will mean at least a little money in the coffers while I continue working on the other books.

That’s all I have for now. Time to get back to work. So stay safe, and I’ll talk to you again next week.  Bye