Sep 182011
 

As one who has a vested interest in the avalanche of recent changes in the publishing industry, I am both excited and nervous each time I read a new article about how said industry is evolving.  It’s obviously an exciting time to be climbing aboard this rushing train, what with the changing environment and all the new tools that emerging authors can use to their advantage.

Let me preface this post by reiterating, I’m not one who thinks that traditional publishing houses are about to dry up and go away (at least, not all of them).  However, I do believe that the traditional model that they have used for so many decades will have to adapt to the new environment.  They will have to accept that they are no longer the gatekeepers that they have been.

Gatekeepers.

I’ve heard that term touted quite a bit over the last couple of years.  It’s usually brought up in conjunction with an argument against the new wave of self publishing.  Folks using the term usually claim that the “Big Six” are guardians of quality, keeping the hordes of bad writers from flooding the bookstores with their substandard wares.  And to a certain extent, I suppose that’s true.  But I don’t buy the idea that this has been done out of any altruistic loyalty to the literary arts.  Let’s face it, there are still plenty of books that make it through the hallowed halls of the “B6” that should have never seen the light of day.

No, the gatekeepers of the industry are maintaining control of the process in order to add to their coffers.  It’s a basic business model.  Invest X dollars into a product.  Sell the product for a profit.

Look at it like this – when a company is first getting started, if they want to succeed, they must make that product the best they can. If they don’t, no one will buy it and they won’t stay in business.  Think of it as business level Darwinism.  The better the product, the better the sales, and the more the company will grow.  At this point in their evolutionary cycle, the business is controlled by the consumer.

If the business does a better job than its competitors, it outgrows them, taking a larger piece of the consumer pie.  In the case of the B6 businesses, they have gotten such a large piece of that pie that, to a certain extent, they begin to reverse the dynamic.  No longer is the business controlled by the consumer, but rather the consumer is controlled by the business.  B6 decides what author gets into print, how their book gets packaged, how much they put into marketing, and what price the market will bear.

And why shouldn’t they?  After all, it’s their investment that brings that author to  market, right?

But that was then.  With the advent of epublishing, the whole game changes.  B6 is not the only game in town any longer.  The old model of “writer sends manuscript to agent, who sends it to a publisher, who (if they decide to take it on) sends it to an editor, who then sends it to print on behalf of the same publisher, who then sends it to the store for the reader” need no longer apply.  Now, all that is needed for publication is a home computer and an account on one or more of the various epub sites.  This changes the model to “writer sends manuscript to reader”.  It’s simple now – so simple that Aunt Bertha, who can barely spell her name, could conceivably publish her memoirs for all the world to see, if she should so desire.

This, in my opinion, is both a good thing and a bad thing.

Yes, as much as I may love dear old Aunt Bertha, I have absolutely no desire to read the story of how she once met the love of her life and let him slip through her fingers because her cat got stuck in the toilet and she was too involved with trying to save poor Fluffy to make it to her date on the night that she was convinced that Mr. Right was going to propose, and so he left in despair and joined the French Foreign Legion, never to be heard from again.  No thank you.  Especially since I know for a fact that my dear Aunt Bertha, who is convinced that her name is spelled with a “u”, despite what her birth certificate says, is even worse at grammar than she is at spelling.

Obviously, that’s the bad side of how things are changing.  The simple fact that nearly anyone can publish their own book now, would on the surface seem to reinforce the proponents of using B6 as guardians of quality.  But that’s not the whole story, because not only is Aunt Bertha able to publish her book, but so is Uncle Rufus, and Grandpa Franklin, and the kid down the street who is either a drug addict, or a physics major (we just aren’t sure which).  And three out of those four are going to print absolutely horrendous books.

But that fourth one is going to be a pretty decent author.  They will be smart enough to recognize that they will likely need a freelance editor and publisher to take care of those parts of the craft for which they don’t have the proper skill set.  And it may take three or four books before they get the hang of it–but one of them will finally put out at least one novel that will entertain hundreds, perhaps thousands of readers.  And there’s no reason they shouldn’t be given the chance to do so.  It will be their investment.

And that is why the B6 model has to change.  No longer are they the gatekeepers.  They don’t control the market any longer, and in the manner of large corporations all over, they are trying to figure out how to regain their stranglehold.  But what they should be doing is concentrating on adapting to the new business model.

And it looks like at least one of them is making headway.  Simon & Schuster has signed a deal with epub phenom John Locke to sell and distribute print versions of his novels.  The big deal about this is that they will only be distributing his print books.  John will continue with his ebook publishing firm, Telemachus Press for the epub side of the business.

For what it’s worth, I predict this will become common in the next several months.  B6 either can’t or won’t compete in the epub market.  They are still trying to push their high prices on a public that is quickly learning that they don’t have to pay ten or fifteen dollars to get a decent ebook.  And authors are learning that they don’t have to settle for eight or ten percent of the take on their books.  Kindle pays the author seventy percent on ebooks selling for $2.99 or more, and thirty-five percent for ebooks under that.

Even for print, it is now very common for some of the smaller presses to offer authors a fifty-fifty split.  In fact, Ridan Publishing offers their authors a seventy-thirty split, with the seventy going to the author.  Needless to say, they have attracted some pretty wonderful talent.

So while B6 houses may still hold power with some of the bigger name authors, they have no real power over the market beyond that.  Yes, they currently control most of who gets into the brick and mortar stores, but how many of us really do most of our book shopping in B&Ms?  Ask Borders that question, why don’t you?  I know I do at least eighty percent of my book buying online, and almost all of that is electronic books.  And what happens when the big name authors that are currently in the B6 stables come to the end of their contracts?  Will they continue to work for twenty percent (or often less), when they can go elsewhere and get thirty, or fifty, or even seventy percent?  Who will B6 publish then?  They’ve run off most of their mid-list authors.

No, the traditional B6 model is doomed.  Whether they evolve with the times is, of course, up to them.  But I suspect that the number behind the “Big” will likely change before the shakeup is all said and done.  Or if not, the names of the B6 players will change some.  Amazon is likely to become one of the larger businesses in the industry.  They have already shown themselves to be innovative in their approach to things, and ruthlessly effective in their execution. Apple also appears to be making a move, though it remains to be seen how effective they will be in the long run.  So while it remains to be seen if we end up with a “Big Three”, a “Big Ten”, or keep the “Big Six” with another group of players behind the number, I think it’s pretty certain that a huge shift is underway already, not just down at the lower levels with us small fry, but all the way at the top.

The times, they are a-changin’.

 

Aug 072011
 

I’m a bit surprised to discover how many people are visiting my site.  Initially I thought this was going to be little more than my own little online diary, and as such, I wrote more for myself than anyone else.  There were, of course, thoughts that some people might find me later – after I publish, but here I am a month after launching this blog, and Google analytics tells me I’ve had 118 distinct visitors to my site.  It’s not really big, by any means, but it’s about 115 more than I expected just now.  8-) Checking the stats shows me that peak visitation usually occurs after I post to Twitter, and I imagine that if I got serious with my Facebook site, that would help as well. That is after all, why they call it social networking, right? :laugh:

It seems that I have become part of a network without even being aware of it.  As I’ve come to realize this, my posts have changed.  I no longer simply write for myself.  I assume that there may be other people out there who are as eager to learn about this new world of self- or indie- publishing as I am, so I write for them.  Now, since my current experience is mainly just with the writing and editing phase of the process, that means that all I can offer for the rest is to simply point out when I find a good resource.

Anyone who has read any of my older posts knows how much I recommend The Dead Robots’ Society as a place to meet fellow aspiring writers, and to learn about the trials and tribulations of the business from those who are going through the same thing.  And any of you who have listened to their podcasts, will have likely already heard of the lady I am about to recommend.  But if you haven’t, let me strongly recommend Robin Sullivan‘s blog, Write to Publish.

I first heard of Robin and Michael J. Sullivan in a podcast interview with The Dead Robots, and was delighted with their down to earth, no-holds-barred attitude. Michael is the author of The Riyria Revelations, a fantasy series that begins with The Crown Conspiracy (you will find it listed in my sidebar widget of “Some Books I Recommend”).  I am not a huge fan of fantasy, but I read this one at the recommendation of some people I trust, and was pleasantly surprised. Michael is a fine storyteller and author.

As fine as he is though, I would like to focus on his wife.  Robin Sullivan is a guru when it comes to understanding the changing landscape of modern publishing.  During that first DRS interview I heard her in, she was amazingly succinct and well versed, spouting facts and statistics that everyone else seems to view as taboo.  She was a refreshing font of information, and has been back on The Dead Robots’ Society for more interviews and Q&A sessions.  Now I knew her publishing company, Ridan Publishing, had a website, but I haven’t bothered to mention it because Ridan is currently closed to submissions.  What I never thought to search for was a blog.  It wasn’t until I began to follow her on Twitter that I noticed her blog posts.  At that point I discovered that this wonderful lady has been sharing her knowledge almost daily on Write to Publish.

So let me rectify my oversight here.  If you (like me) are searching for good sources of information from which you can learn about modern publishing, please do yourself a favor and visit Write to Publish.  You absolutely won’t regret it.